ART COLLECTING CONFERENCE
The Art Collecting Conference, organised by the Complutense University of Madrid through the Department of Art History, is a series of events designed to foster a deeper understanding of collecting in academia and to promote the important work of conserving artistic heritage.
In this fourth edition, the Ministry of Culture, through the Directorate-General for Cultural Heritage and Fine Arts, joins as a co-organiser.
Organised with ACCA. Art Collecting.
The Conference is directed by Carmen de la Guerra Martín and Manuel Haro Ramos.
The State of Play of Spanish Art Collecting
The 4TH UCM ART COLLECTING CONFERENCE – ART HISTORY, with the course: “The State of Play of Spanish Art Collecting”, will take place in Madrid, November 4–23, 2024.
The sessions from November 4 to 8 and from November 18 to 23 will be dedicated to visits to collections, museums, art centres, art galleries, and artists’ studios.
On November 12, 13 and 14, the in-person/online course will be delivered in the format of panels and roundtable discussions, with a “best practices” exchange approach, offering the opportunity to share perspectives between students and professionals from the Art Circle: artists, gallerists and collectors.
Flexible registration for 1, 2 or 3 sessions: customise your own itinerary.
Participation in at least one session is a mandatory requirement in order to register for the visits.
Conference programme
General objective
To continue the main objective initiated in the 1st UCM Art Collecting Conference: to foster closer ties between the world of collecting and the university sphere, to generate a source of knowledge and promote collecting activity.
The participation of collectors in this 4th UCM Art Collecting Conference is one way to promote and raise awareness of patronage within the university sphere. Likewise, the participation of university professors, artists, gallerists, collectors and various agents of the art market, together with visits to collections/art centres, is a way to generate and qualitatively promote collecting among future collectors.
With the aim of making collecting a subject of study and interest at the University, bringing this reality closer to faculty and students, to help them engage with and take part in a reality without which art would lose momentum.
The Conference combines presentations delivered by the owners and managers of the country’s most important public and private collections, by university professors and by different specialists, so that we can analyse and reflect on the state of play of Spanish art collecting, highlighting the role played by private collectors who safeguard artistic heritage, generating a common good by sharing it with the public, and emphasising the links and relationships created between the public and private spheres in order to make heritage more visible.
We aim to understand the role these collections have played in history and to analyse how they are integrated into their new location once they have been bequeathed, donated or loaned to a public institution, as well as how private collections impact the art ecosystem and their significance.
We propose an overview of what has happened to date in private art collecting in Spain, questioning where we are heading and what solutions we can offer in support of patronage, given the need to create a sustainable system that guarantees public display of private heritage shared with society.
Specific objectives
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- To generate real knowledge of what has happened over recent decades with regard to collecting, highlighting the work currently carried out by collectors as role models, since by safeguarding heritage they generate a benefit for civil society.
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- Collaboration between the collecting sector and the academic sphere—in this case, the Complutense University of Madrid (UCM)—while remaining open to participants from other universities and/or academics, as well as other professionals in the sector: collectors, gallerists, artists and different agents of the art market.
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- To convey to these audiences the experience that a collector “is not born, but made”. One way to get started is through this type of Conference (“I do not commit to what I do not know”).
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- To build “bridges of communication” with business leaders to seek their involvement with the world of art collecting in patronage and sponsorship initiatives. In recent decades, the leading role was played by the financial system and, especially, by the social work and foundations of savings banks. With the economic crisis and the restructuring of the sector, a void has been left that must be filled by businesses from other sectors.
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- The university public and the artistic community, as they develop their professional activity, can be a breeding ground for collectors; therefore, the Conference must include an intergenerational component as a source of experience and practical guidance, to understand how to begin collecting.
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- To explore how new technologies have influenced the world of art and collecting, not as a fad or novelty but along a more established line, and as elements that a valued collection should include among its pieces.
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- To offer a balanced proportion of theoretical knowledge delivery across different teaching formats—lectures, roundtables, panels, virtuous circles—in the in-person/online component, with the participation of 52 speakers, and practical experiences through visits to around twenty venues: collections, museums, art centres, art galleries and artists’ studios.
Speakers
Meet the speakers of the 4th UCM Art Collecting Conference – Art History
Participants
Honorary Committee: UCM Rector: Joaquín Goyache Goñi. Ministry of Culture: Isaac Sastre de Diego and Mercedes Roldán Sánchez. UCM: Vice-Rectorate for Culture: Isabel María García Fernández. Faculty of Fine Arts: Raquel Monje Alfaro. Faculty of Geography and History: Miguel Luque Talaván, Marta Poza Yagüe.
Scientific Committee: UCM Dept. of Art History: Matteo Mancini, Laura Rodríguez Peinado, Francisco Javier Pérez Segura, Pablo Martínez Fernández, María Rosón Villena. Lázaro Galdiano Museum: Begoña Torres González. ACCA: Carmen de la Guerra Martín and Manuel Haro Ramos.
Direction: Carmen de la Guerra and Manuel Haro.
Design: Jaime Narváez.
Collaborators: Centro Botín, Fundación Collegium, Fundación Hortensia Herrero, Fundación María Cristina Masaveu Peterson, Fundación Vila Casas, Instituto del Patrimonio Cultural de España, Museo Nacional del Prado, Centro de Conservación del Patrimonio BBVA, Colección YERAYGBART, Meadows Museum of Dallas, Colección Pérez Simón, Fundación Museo Reina Sofía (MNCARS), Fundación Gabeiras, 9915. Association of Private Collectors
of Contemporary Art, Consortium of Contemporary Art Galleries, Institute of Contemporary Art (IAC), Union of Contemporary Artists of Spain. Unión A.C., Cerralbo Museum, Museo Nacional Centro de Arte Reina Sofía, MACBA. Museum of Contemporary Art of Barcelona, Gallery of the Royal Collections, Colección Sánchez-Ubiría, Colección Aldebarán, Colección Alicia Aza, Moisés Pérez de Albéniz Gallery, We Collect, Colección Studiolo, Colección INELCOM, Colección Iberdrola, Fundación Banco Santander, Colección Palibex: Truck Art Project and PBX Creativa, Centro
de Conservación y Restauración de Fondos Fílmicos Carlos Saura (CCR), Colección Solo, Colección Oliva Arauna Almacén Abierto, Fundación Sorigue-Planta.
Patronage: Fundación Collegium, Asociación Colección de Arte Contemporáneo (ACAC), Ramón y Cajal Abogados, Fundación Alberto Cruz, AFI School of Finance, Directorate-General for Cultural Heritage and Fine Arts, Colección Julián Castilla, La Troupe, Cuatrecasas, and the UCM Vice-Rectorate for Culture, Sports and University Outreach.








Organisers:
Activities: Visits to collections
All individuals who have private access to the ACCA website and have registered for the Conference have been able to register for the collection visits we have organised.


